Kate Shannon: A Picture is Worth (More Than) a Thousand Pixels

Kate Shannon, Associate Professor of Art and the Ohio State University 2025-26 Artist Laureate, focuses on photography, and digitally manipulating and recontextualizing existing photographs to explore their connection to time, history, and the digital age. Shannon is fascinated with the physical deterioration of photographs and how it contributes to their stories. Host David Staley and Shannon discuss her works, including “Construction/Destruction,” in which she animates decayed Wright Brothers’ glass plate negatives, and “The Insignificant,” in which she treats rejected Farm Security Administration negatives. She also reflects on her students’ interactions with both historical and modern digital photography and the implications of generative AI in the art world.

Photograph by Carlos G. Vertanessian

Carmen Winant: The Art of Labor

Carmen Winant, Associate Professor and a 2019 Guggenheim Fellow, discusses her work in the Whitney Biennial. Winant’s installation, “The Last Safe Abortion,” consists of nearly 3,000 photographs depicting everyday activities in abortion clinics, emphasizing the labor and commitment of the workers. She details her approach to large-scale photography installations and discusses her previous project, “My Birth,” which visually documents childbirth and the power dynamics embedded in its representation.

Gina Osterloh On the Pressure of Looking

Gina Osterloh, Assistant Professor of Art, sees her photographic practice as embodying the printed image, drawing, film, and performance as it explores the resonances between the physical body and its representational imprint, trace or stand in. She offers insight into the role of looking and vision in creating one’s identity, as well as being a site of tremendous pressure and pleasure.